Midway through last month, the audio irritants at 20kbps netlabel released Paranomia‘s EP Le Requiem Pour les Refrigerateures Solitaires — or, as they helpfully translate for us cognate-challenged types, Requiem for Lonely Refrigerators. From the coarse, scrunched sounds of the first of its four tracks, it’s quite possible to believe that audio emitted by an old Frigidaire is indeed the extent of Paranomia’s palette. But this is no concept album, which means you needn’t ponder the provenance of the pingy echo of “No Prestamos Servicio a los Viciosos” or hard distant techno of “Le Dompteur de Pingouins” in order to take pleasure in this often desperately minimal electronica. The 20kbps site credits Paranomia as “a sideproject by Estonian producer Talvel.” And it’s really no surprise that the landscape that gave us Arvo Part’s haunting minimalism would, a generation or three later, unleash such a parched and monastic digital music. In fact, the submerged vocals on “Les Fusillades Massives des Masses” could very well come from one of Part’s latter-day modernist Gregorian chants. Download a stuffed archive of the set, complete with “album” art, here. And visit the label at 20kbps.sofapause.ch.